Olivia Rodrigo – You Seem Pretty Sad for a Girl so in Love: Rodrigo and Dan Nigro created a perfect summertime album, the kind you can imagine a generation of kids recklessly dancing to as they celebrate a day out and then mourning to as they process the tragedies of their day. I’m excited to dig deeper. goat (jp) /… Read more »
Nina Nastasia – Dogs: One of my favorite things about music is the way you sometimes find and fall in love with an artist who’s been around for ages. That’s this week with Nina Nastasia. Dogs is incredible. Her voice and music has echoes of so many other artists yet it combines to hit me like nothing else. Bela Bartok… Read more »
Death Cab for Cutie – I Built You a Tower: When Narrow Stairs came out eight years ago, I recognized its intellectual strength but never felt its heart the way I did with Transatlanticism and, to a lesser degree, Plans. On first listen, I Built You a Tower is good, but I hear too much head and not enough heart…. Read more »
Jeff Buckley – Live À L’Olympia | Live at Sin-é: I listened to these two back-to-back and they show completely different sides of Buckley’s immense talent. The first four songs from the concert in France demonstrate the raw power he could unleash with his full band, while the solo shows at Sin-é shine a bright light on his talent both… Read more »
Valerie June – Owls, Omens, and Oracles: This is one of those albums that makes genres seem stupid and irrelevant. Is this R&B? Folk? Roots? Indie? Pop? All I know is this is an incredibly joyful album, one that challenges us to find light in the darkness around us. Donna Summer – Love to Love You Baby: The first time… Read more »
Gia Margaret – Singing: I wake up in the middle of the night and quietly play Singing, the dog lying beside me as I turn the volume as low as possible to avoid waking the house. Hearing the record in this way lets me hear parts of it that I’ve never heard before, like the heartbeat behind “Everyone Around Me… Read more »
Mitski – Nothing’s About to Happen to Me: Back in March, I wrote that this is an easy album. I oversimplified. Yes, the album is more sonically accessible than most of her other records. Lyrically, though, this is anything but easy. This is a record of trauma and mistakes and self-doubt and betrayal and death. My initial high point is… Read more »
Herbie Hancock – Head Hunters: This sacred cow doesn’t deserve a full slaughter but it certainly does warrant some harsh criticism. Hancock took two genres that were at a creative peak—the sonic experimentation of late ‘60s jazz and the funk milestones from the early ‘70s—and created a lukewarm fusion whose sum is far, far less than its parts. Worse, this… Read more »
Miss Grit – Under My Umbrella | Gia Margaret – Singing: The vocal refrain on “Tourist Mind,” the opening track of Under My Umbrella, is one of those odd English quirks that could be interpreted in two opposite ways. Maybe when Margaret Sohn sings, “I’ve never wanted to be so alone,” they mean they’re bathing in a joyously introverted quiet… Read more »
Slayyyter – Wor$t Girl in America: This record is filled with so many things I hate—‘80s new wave, ‘90s industrial pop, ‘00s European big beat, the timeless insufferable attitudes of drunk twenty-somethings on the dance floor—that I almost turned it off a dozen times in the first six songs. But the deeper I got into the album, the more it… Read more »